Luthert’s manipulations highlight, loop or amplify the moments of greatest connection between BINKER & MOSES, two masters from the London jazz scene.

Feeding the Machine by saxophonist Binker Golding, drummer Moses Boyd, and producer Max Luthert.

He sings in Twi, Ga, pidgin, and English. Afrofuturism at its best, a combination of reggae and dub, griot-songs, soul, jazz, and afrobeat. Agege, the first solo album by powerful Ghanaian singer K.O.G. Combination of dance rock and guitar pop.

PERSONAL TRAINER’s Big Love Blanket, the exciting debut of the Amsterdam collective, led by Willem Smit, who was previously in Canshaker Pi.

The self-titled debut album by WET LEG: Rhian Teasdale and Hester Chambers (both from the Isle of Wight) have the ability to turn a small story into a swinging song.

The combination of Shelley’s crisp vocals and the jazzy guitar riffs by her husband Nathan Salsburg work perfectly on her seventh album. A reaction to bad politics and dark times in the US.

The Spur by JOAN SHELLEY: Elegant folk songs in which Shelley worries about her place in the world, as a woman and artist.Now he plays solo and creates a fuzz-stacked alt-country sound. Boat Songs by the Asheville, North Carolina, songwriter and guitarist MJ LENDERMAN.Unfortunately, singer Isaac Wood left the band after this release. Ants from Up There by BLACK COUNTRY, NEW ROAD: Postpunk, jazzrock, improvisation, but within the framework of sharply defined songs.

Live at the Bush Hall by BLACK COUNTRY, NEW ROAD: After the departure of Isaac Wood, the group chose to abandon the idea of a frontman altogether and collectively take on vocals.

WEDNESDAY’s Rat Saw Gold: the North Carolina noisy indie band, with Karly Hartzman as singer, turn their stabbing pain into triumphant rock’n’roll.She is a multi-instrumentalist (bringing in piano, percussion, harp, and vibraphone) with some deep folk connections in her background. Furling, the first solo album in seven years by MEG BAIRD, the tremendous vocalist of Espers and Heron Oblivion.The mood of this 70-minutes record remains consistently stark and somewhat bleak. False Lankum: The Irish folkgroup LANKUM combines their own songs with traditional Irish songs, which they cleverly mold to their liking.The Record by BOYGENIUS: The voices of Julien Baker, Phoebe Bridgers, and Lucy Dacus blend together flawlessly, the choruses are catchy, the storytelling is vulnerable, sad and authentic, and the melodies are meticulously crafted.

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